Too much beige. Not enough red. This fixes that. A retro gallery-poster abstract in red, blue, lilac, green and orange on a deep black ground, captioned as a 1962 exhibition piece.

Put it on the wall and the room sharpens up. The black ground pulls the eye in, the shapes do the talking, and any nearby neutrals stop reading as safe and start reading as deliberate.

It suits a feature wall in a living room, behind a desk in a home office, or in a hallway that needs a jolt. Hang at eye level with a bit of breathing room around it.

Works well with warm wood, boucl, a bit of brass, and lamps with a warm bulb. A single solid-colour cushion picked out from the print ties everything together.

The canvas wrap gives the black ground a soft, matte finish that keeps the shapes feeling hand-drawn rather than glossy.