Watch the portrait land, then the warm cream start doing damage. The paper tone is a soft old-paper cream, so the whole wall warms half a shade the moment it goes up. What was a blank patch becomes the quiet corner of the room. Hang it at eye level beside a bed, over a small chest of drawers, or on a study wall where you actually sit still. It works with linen, pale wood, cane and stoneware, and a black frame keeps the pencil lines sharp. Keep the wall around it fairly clear. Don’t crowd it with busy patterned pieces or heavy gold ornament; the drawing only holds its own when it has room. As canvas, the surface gives the line a slightly softer, more drawn feel.