Somewhere between Matisse’s paper cut-outs and naive folk painting, this loose floral refuses to behave. The petals run off all four edges, and the paint sits thick enough that you can see where the brush turned. Put it up and the wall stops being background. A quiet room built on white, cream and pale wood suddenly has a warm centre, and the yellow bounces into everything nearby. Best on a clear stretch of wall above a sofa, a sideboard or a hallway bench, at eye level so the flowers meet you head on. Pair it with linen, cane, pale timber and simple cream ceramics. Don’t crowd it with other bright colours or busy pattern one strong voice per wall is plenty. As a canvas the brushwork reads as a real painted surface.