Unlike most music memorabilia art, this doesn’t wait for approval. Stacked, heavy typography names the date, the artist, the alter ego and the venue Hammersmith Odeon, July 3, 1973, the night Bowie retired Ziggy on stage.

The room sharpens around it. Black on white pulls every other strong colour into line, so a busy shelf of books or records suddenly reads like it was always meant to sit beneath this print.

Hang it in a study, a hallway, a music room or above a record player. Eye-level on a quiet white wall is the strongest play. It also holds its own in a vertical run beside other black-and-white type prints or tour posters.

Pair it with black-framed shelving, an oak or walnut desk, a worn leather chair, brass lamps and a linen blind. The bolder and more graphic the room, the harder this works.

Don’t pair it with soft watercolours or chintzy florals the contrast turns them apologetic. As a canvas, the matte finish softens t