In the 1960s, this would have felt radical. It still does. A tuxedo cat sits on a dock, watching the Golden Gate Bridge in the moonlight printed with the texture of a hand-pulled screenprint.

Put it up and a quiet wall stops being quiet. The deep blues take over, the cream paper breathes, and the little white sailboat becomes the thing you look at last.

Hangs well above a bed, a console in a hallway, or beside a reading chair. Eye-level is best you want the cat looking out, not down.

Pair with pale oak, linen, rattan and cream ceramics. A single brass lamp is enough. Off-white or chalky blue walls let the blues do the work.

On canvas the textured lines feel even closer to a real screenprint.