Because Klimt knew restraint, the deep red hits harder here. One or two blooms carry real heat, and the rest of the garden hums in green and gold behind them. Hung on a plain wall, the room stops feeling flat: the mosaic detail gives your eye somewhere to travel, and the warm brown tabby pulls in the wood tones already in the room. It suits a living room above a low sideboard, a study wall behind a desk, or the far end of a hallway where you want a stopping point. Pair it with velvet, leather, stoneware and chalky green or cream walls. Don’t crowd it with busy patterned wallpaper or other dense florals it needs a quiet wall to do its work. As a canvas, the painterly surface reads softly and sits flush to the wall.