Some cityscape prints match a room. This one resets its pecking order. Monet’s cathedral facade brings a soft glow of cream, blush and pale blue that makes a plain wall feel lived-in and considered.

Put it up and the room slows down. The brushwork is loose, the colours quiet, and the whole thing reads as light rather than architecture from a few steps back.

It works best on a wall that gets some daylight above a console in an entryway, in a hallway, or in a calm bedroom where the colours can do their work without competing.

Pair it with oak, linen, plaster walls and warm off-whites. Brass or aged bronze fittings pick up the warm tones in the stone.

Don’t hang it next to anything loud or graphic bold geometrics or saturated colour blocks will flatten it. Stretched over a wooden frame and ready to hang, with framed canvas options for a more finished edge.