Against pale plaster, the warm terracotta reads less sweet, more deliberate. The stone work, sky blue and clay-red spires give a quiet room a clear focal point without shouting.

When this goes up, the wall stops being background. You get architecture, holiday memory and warm colour in one move and the off-white room around it suddenly feels considered.

Best above a console in a hallway, beside a reading chair, or on a feature wall in a study. Portrait shape suits narrow walls and the gap between two doors.

Pair with oak or walnut timber, a linen runner, ceramic vases in cream or sand, and a small brass lamp. Looks great against chalky off-white or soft stone-coloured walls.

Skip if the room is already full of bold travel posters or competing architectural prints it wants room to breathe. Stretched on a wooden frame, ready to hang.