In the 1960s, this would have felt radical. It still does. Put it on a plain wall and the whole room sharpens up: the red canopies act like a light source, the deep teal cools everything around them, and quiet furniture suddenly looks deliberate rather than plain. It earns a full wall on its own above a sofa, behind a writing desk, or on a tall stretch of hallway where the height has somewhere to go. Keep the company simple: warm wood, tan leather, black metal, one or two plain ceramics. Don’t crowd it with other colourful pictures or busy pattern, and skip a gold frame this one wants a hard, clean edge. On fine-art paper the fine tree lines and speckled canopies stay crisp.