In the 1920s, this would have felt radical. It still does. A quiet Saigon street, soft cream faades, dusty teal shutters and a little red car parked at the kerb.

Hang it and the room picks up a warm, sunlit calm. The cream and pale teal lift neutral walls without shouting, and the small pop of red gives the eye somewhere to land.

It works best in a hallway, a study, or a bright living room somewhere people pause for a moment rather than rush through. Eye-level above a console or sideboard suits it well.

Pair it with warm timber, rattan, linen and a few terracotta planters. A second travel print of a different city sits happily alongside it.

Don’t crowd it with bold florals or heavy abstracts let the soft colours do the talking. Stretched over a wooden frame and ready to hang.