Against linen, the black and white botanical reads less sweet, more deliberate. The fine line work has the calm authority of an old natural history book the kind of thing that looks like it has always been on the wall.

Put it up and the room feels more considered. It brings structure without colour, so it works in rooms that are already busy with pattern or fabric, and it gives quieter rooms something to look at.

It hangs well above a console, a writing desk, or in a hallway where you want one strong vertical. Eye-level is best the detail rewards a closer look.

Pair it with oak, rattan, linen, aged leather and stoneware. A black frame sharpens the lines; oak softens them.

Don’t put it next to anything loud and colourful it gets drowned out. Let it be the quiet one in the room. Stretched over a wooden frame and ready to hang.