In the 1950s, this would have felt radical. It still does. A loose, hand-drawn Amalfi village in deep blue and white, with a few warm terracotta touches catching the eye.

Hang it and a quiet wall picks up the feel of a sunny Italian hillside stairways, shutters, lemon-tree gardens, the lot. Without going anywhere near a holiday-tat clich.

Works best in a bright hallway, a coastal-leaning bedroom or above a console near the front door. It also lifts a white kitchen wall without fighting the cabinets.

Pair it with pale oak, rattan, linen and blue-and-white ceramics. A chrome or brass lamp nearby is fine.

Don’t crowd it with other busy travel posters or competing patterns give it room to breathe. Stretched over a wooden frame and ready to hang straight out of the box.