Think of it as Juan Gris with less reverence and better instincts. The room gets a jolt of burnt orange and deep teal without turning loud, because everything sits inside hard-edged blocks that hold the eye still. Hang it in a dining room, a study or a snug where the walls lean warm or dark, and it will pull the whole scheme together rather than shout over it. Pair it with dark stained wood, aged leather, ribbed glass and brushed brass. Keep the surrounding surfaces plain. Skip busy patterned wallpaper, competing pattern-heavy textiles and other strong graphic art on the same wall, or the geometry starts fighting itself. As a canvas, the painterly surface reads like the original oil, with no glazing between you and the colour.